Everything you'll want to know before starting

You write the brief in natural language, the way you'd tell it to a music supervisor. Music SupervAIsor makes an editorial decision: which sonic territory fits, why, and which territories it discards and with what reason. From that decision it generates original music, three versions of the same direction. You choose one and license it. You get an argued decision and the music that fulfils it.

For agencies, production companies and brand teams that need original music for campaigns, with applied judgment and clear rights from day one. Here the music is composed for your brief. If you're after a specific track by a specific artist, that's a different job.

The editorial decision writes itself in front of you, in seconds. The three pieces take under 2 minutes and are generated at once; we email you when they're ready, so there's no need to wait with the tab open.

The master is delivered as WAV at 44.1 kHz, mastered to −14 LUFS and −1 dBTP, the delivery standard for advertising and platforms. What you hear while exploring is that same master, in full and in master quality: you pay to take it with you, not to listen.

The piece is composed for your brief and delivered with its creation record and its license, scope in writing: unlimited digital in Digital, unlimited broadcasting in All Media. It enters no catalogue. Nobody can license it after you. There are no royalties or recurring payments for its use. If you need a full transfer of ownership, write to us and we'll look at it.

Yes, and it is a first-class flow. When creating the brief you choose: upload your lyrics (the direction is built around them: meter, stresses, where the claim lands, breathing, register), ask us to write them (they become part of the direction and rewriting is free) or let us decide whether the piece calls for voice or instrumental, with the reasoning spelled out. If you disagree, you correct the direction without paying anything. And if the lyrics do not fit the requested duration, we tell you before producing.

By where it will sound. Digital (€1,500) covers social, web and paid media: the brand's own accounts, display, owned web, landing pages, pre-roll and video on third-party media. All Media (€5,000) adds television, radio, cinema and OTT. If the piece jumps from one to the other, you move up by paying the difference.

Yes, paying only the difference. If you buy a Digital and the campaign ends up on television, you upgrade to All Media and what you already paid is deducted · including what you paid for the Pitch. You never pay more than €5,000 for one piece, whatever the route. That's normal: nobody knows at the start how far a piece will go.

Digital and All Media licenses never expire. A pass's coverage (Pitch Pass, Digital Pass, All Media Pass) lives while the pass is active: if it is not renewed, pieces published under its scope stop being covered.

No: you pay once per Pitch and we charge nothing recurring for using the piece. Because it's an original composition written for your job, there are no rights to clear with a label or an artist. What remains yours to handle are any obligations you have with your collecting society, depending on country and medium · same as with any music.

In practice, yes: the piece is born from your brief and never published in any catalogue, so nobody can find it or license it again. If your campaign needs exclusivity guaranteed by contract, write to us and we'll formalise it.

Every piece is an original composition created for your brief. The chain of rights is closed from origin to delivery, and it's the one we transfer with your license. If your legal department needs the detail in writing, write to us and we'll provide it.

The editorial direction is formulated by Music SupervAIsor with the judgment of music supervision: which territory fits, why, and what is ruled out and for what reason. That judgment is the product. Generation is the layer that executes it.

No. Each brand's Sonic DNA is exclusive to its account and only applies to its briefs. Every new production refines it, and that history stays with you.

You, or your client: by uploading them you declare you have the right to use them. We do not claim them, we do not reuse them for other accounts and they do not enter any sonic profile as reusable material. Our licence covers the music and the recording; it does not cover a text we did not write, so responsibility for its content remains yours. And if the text matches a known existing work, the system warns and does not produce: that protects you as much as us.

Digital (€1,500): mastered MP3, with its creation record and the license with its scope in writing. All Media (€5,000): adds the WAV master. Everything arrives in a ZIP together with the PDF.

Yes, in full and in master quality, without paying anything · inside the product and in the review link. The Pitch is €150, paid when you download: it includes presentation use, so you can put the MP3 inside your deck. To publish, the piece is licensed by where it will sound, and what you paid is deducted.

Not yet: the delivery is the mastered mix. If you need stems for your edit, tell us · knowing who really needs them is what decides whether they get built.

As soon as payment completes. We prepare the files in the background and they appear in the brief; we also email you. In the brief itself you'll always see, in one line, what permission you have and whether what's there is a demo or the final files.

There are two separate things: taking the piece with you and publishing it. Deciding, producing and listening are free, with an account. The Pitch is €150, paid when you download the MP3 with presentation use. Publishing is licensed by where the piece will sound: €1,500 for digital, €5,000 with broadcast · and what you paid for the Pitch is deducted.

The editorial direction with its justified discards, and three pieces born from it. Refining it costs nothing. It's €150, paid when you download, and it includes presentation use, so you can put the MP3 inside your deck. When you license, it's deducted.

No. You can argue with the decision as many times as you want · tell it what to change in your own words and the engine revises its own direction, keeping what worked · and it costs nothing. You pay when you take the piece with you, not while you work on it.

Retries are free: if something fails on our side, it's not your problem. Producing is never charged, so a failure never costs you money.

It depends on how you produce. All three passes are annual and per agency, and each one includes the one below. Pitch Pass (€1,500/year) gives unlimited pitches for competitions and presentations, with the Pitch included. Digital Pass (€10,000/year) adds unlimited digital publishing: social, web and paid media. All Media Pass (€22,000/year) covers everything, television included. With a pass, going above what it covers costs only the difference. If you make one-off pieces, you don't need a pass: pay the Pitch and its license.

Yes, from your own account, without emailing anyone. Licences you've already bought are yours and stay valid: cancelling a plan doesn't take away the right to use what you already paid for.

Yes. Invite anyone by email and each person joins with their role. Briefs and brands belong to the agency, not to whoever created them, so nothing gets stuck when someone goes on holiday.

With a review link. Your client opens the link, listens to the three versions, picks their favourite and comments, all without creating an account. They see no prices and no licenses. The link expires and you can revoke it anytime.

Every review link serves its own copy, marked with an inaudible code that's different for each recipient. If a file turns up where it shouldn't, we can tell you which link it came from. It's why sharing from inside the product is safer than emailing the MP3.

They're yours and they stay inside your agency: nobody from another account can see them. We use them to run the service and to improve the engine's judgement. If you have a specific data-handling requirement, write to us before you start and we'll talk it through.

Yes, from the account itself, without asking by email. Your working content · briefs, generated music and stored files · is deleted, and personal data is anonymised. The only thing kept is the billing record of what was already purchased, because accounting rules require it.