Everything you'll want to know before starting

For agencies, production companies and brand teams that need original music for their projects, with applied judgment and clear rights from day one. Here the music is composed for your brief. If you're after a specific track by a specific artist, that's a different job.

Exploring is done in under half a minute: we suggest three directions with their reference songs. Once you choose yours, we develop it in full in about a minute. The three music proposals are ready in under 2 minutes, generated at once; we email you when they're ready, so there's no need to wait with the tab open.

The master is delivered as WAV at 44.1 kHz, mastered to −14 LUFS and −1 dBTP, the delivery standard for advertising and platforms. What you hear while you work is that same master, in full and in master quality.

The proposal is composed for your brief and delivered for exclusive use: it isn't reused or offered to anyone else. It comes with its certificate of origin and the scope in writing: digital, on social, web and digital campaigns. Once downloaded, you use it forever in digital, even if you leave the plan. No royalties or recurring payments for its use.

Yes, and it is a first-class flow. When creating the brief you choose: upload your lyrics (the direction is built around them: meter, stresses, where the claim lands, breathing, register), ask us to write them (they become part of the direction and rewriting is free) or let us decide whether the proposal calls for voice or instrumental, with the reasoning spelled out. If you disagree, you correct the direction without paying anything. And if the lyrics do not fit the requested duration, we tell you before producing.

If a project ends up on TV, the broadcast guarantee is coming soon: let us know and we'll tell you more. And if you pitched and won, publish it with a plan that publishes (from Starter): it counts as a project.

Created and downloaded music doesn't expire: you use it for good in the media you contracted, even if you stop paying. Reference songs come with their own contract, usually for a limited time.

For created music, no: we charge nothing recurring for its use, and since it is an original composition there's nothing to negotiate with a label or an artist. What stays with you are your obligations to your collecting society by country and medium, as with any music.

Yes. Music created for a client is never reused or offered to anyone else: it comes from your brief and enters no catalogue.

Every proposal is generated for your brief and never offered to anyone else. We deliver it with a certificate of origin that documents how, when and for whom it was created. If your legal department needs more detail, write to us and we'll provide it.

You do. Music SupervAIsor brings a music supervisor's judgement: it suggests references, explains why they fit and what gets ruled out, and gives you the arguments to defend the direction to your client. The final decision is always yours.

No. Each brand's sonic profile is exclusive to its account and only applies to its briefs. Every new project refines it, and that history stays with you.

You, or your client: by uploading them, you declare you have the right to use them. We don't claim them or reuse them. Responsibility for their content is yours. And if they match a known work, the system warns you and doesn't produce.

Yes, in full and in master quality, without paying anything, inside the product and on the review link. To download you need a plan: Pitch to present, Starter or above to publish.

Not yet: we deliver the mastered mix. We're working on including the separate tracks. If you need them now, write to us.

As soon as you choose the music to publish. We prepare the files in the background and they appear in the project; we also email you.

Three musical directions to choose from, each with its reasoning and its reference songs; the one you choose, developed in full; and three original proposals per round, with unlimited rounds. Adjusting it costs nothing. Your company has one trial brief, with music for presenting.

No. You can adjust the direction as many times as you like · tell it what to change in your own words and the references update · and it costs nothing. Rounds don't count, neither in the trial nor on your plan.

Retries are free: if something fails on our side, it's not your problem. Producing is never charged, so a failure never costs you money.

If you only pitch for competitions, Pitch. If you publish now and then, Starter gives you 2 digital projects a month. If you publish every week or want to license reference songs, Pro. Enterprise adds licence handling included and dedicated support.

Monthly, whenever you like. Annual is paid upfront and runs for the year: if you cancel it, it won't renew. Either way, the music you've downloaded stays yours.

With a review link. Your client opens the link, listens to the three versions, picks their favourite and comments, all without creating an account. They see no prices and no licenses. The link expires and you can revoke it anytime.

Every review link serves its own copy, marked with an inaudible code that's different for each recipient. If a file turns up where it shouldn't, we can tell you which link it came from. It's why sharing from inside the product is safer than emailing the MP3.

They're yours and they stay inside your agency: nobody from another account can see them. We use them to run the service and to improve the engine's judgement. If you have a specific data-handling requirement, write to us before you start and we'll talk it through.

Yes, from the account itself, without asking by email. Your working content · briefs, generated music and stored files · is deleted, and personal data is anonymised. The only thing kept is the billing record of what was already purchased, because accounting rules require it.